Synopsis: A ballet dancer and a showgirl fake a marriage for publicity purposes, then fall in love. Note that most the music is from George and Ira Gershwin. George Gershwin – who had become famous for blending jazz with classical forms – wrote each scene in a different style of dance music despite already suffering during the production of the motion picture from the brain tumor that was shortly to kill him.

Nathaniel Shilkret, musical director for the movie, hired Jimmy Dorsey and all or part of the Dorsey band as the nucleus of a fifty-piece studio orchestra including strings. Dorsey is heard soloing on "Slap That Bass", "Walking the Dog" and "They All Laughed."

Content Warnings: U.S. rated TV-G
Sex & Nudity: None
Violence & Gore: None
Profanity: None
Alcohol, Drugs & Smoking: Mild
Frightening & Intense Scenes: None
not (yet) rated on https://www.doesthedogdie.com/media/50961

Music:
Slap That Bass (1937) Lyrics by Ira Gershwin / Music by George Gershwin
Sung and danced by Fred Astaire and Ensemble in engine room
Sung also by Dudley Dickerson

Let's Call The Whole Thing Off (1937) Lyrics by Ira Gershwin / Music by George Gershwin
Played during the opening credits and often in the score
Sung and danced by Fred Astaire and Ginger Rogers on roller skates

They Can't Take That Away from Me (1937) Lyrics by Ira Gershwin / Music by George Gershwin
Played during the opening credits and often in the score
Sung by Fred Astaire

Shall We Dance (1937) Lyrics by Ira Gershwin / Music by George Gershwin
Danced by Fred Astaire and Harriet Hoctor in the ballet sequence opening this number
Sung by Fred Astaire
Danced by Fred Astaire and Ginger Rogers in the closing sequence

They All Laughed (1937) Lyrics by Ira Gershwin / Music by George Gershwin
Sung by Ginger Rogers
Danced by Fred Astaire and Ginger Rogers
Sung a cappella also by Jerome Cowan and Sam Wren

Beginner's Luck (1937) Lyrics by Ira Gershwin / Music by George Gershwin
Sung by Fred Astaire

Walking the Dog - Promenade (1937) Music by George Gershwin
Played during the dog-walking sequence

Rhapsody in Blue (1924) Music by George Gershwin
In the score when Gershwin's name is displayed during the opening credits

For He's a Jolly Good Fellow, Traditional
Sung a cappella on shipboard by people in a bar

The Sidewalks of New York (1894) Music by Charles Lawlor and James W. Blake
In the score when New York City is shown

Got a New Lease on Life, Music by Oscar Levant / Lyrics by Dorothy Fields
Played in the background immediately before "Let's Call The Whole Thing Off" begins

Synopsis: An aging movie star uncertain of his future teams up with a top ballerina to headline a new Broadway musical, but the pretentiously artistic goals of its director threaten to change it beyond recognition. Music by Arthur Schwartz and Lyrics by Howard Dietz.

Content Warnings:
Sex & Nudity: None
Violence & Gore: None
Profanity: None
Alcohol, Drugs & Smoking: Mild
Frightening & Intense Scenes: None
https://www.doesthedogdie.com/media/23400
mannequins
screaming
large age gap
religion discussed

Music:
By Myself (1937) Music by Arthur Schwartz / Lyrics by Howard Dietz
Performed by Fred Astaire twice

Penny Arcade, Music by Arthur Schwartz
In the score while Tony is in the arcade

A Shine on Your Shoes(1932) Music by Arthur Schwartz / Lyrics by Howard Dietz
Sung by Fred Astaire and Danced by him and Leroy Daniels

National Emblem (pub. 1906) Written by Edwin Eugene Bagley
Played by one of the arcade games

Oedipus Bridge, Music by Arthur Schwartz / Lyrics by Howard Dietz
Performed by Jack Buchanan and chorus

That's Entertainment (1953) Music by Arthur Schwartz / Lyrics by Howard Dietz
Performed by Jack Buchanan, Nanette Fabray, Oscar Levant and Fred Astaire
Reprised by Jack Buchanan, Nanette Fabray, Oscar Levant, Cyd Charisse (dubbed by India Adams) and Fred Astaire in the finale

The Beggars Waltz (1931) Music by Arthur Schwartz
Danced by Cyd Charisse, James Mitchell and Corps de Ballet

Dancing in the Dark (1931) Music by Arthur Schwartz
Danced by Fred Astaire and Cyd Charisse

You and the Night and the Music (1934) Music by Arthur Schwartz / Lyrics by Howard Dietz
Sung by chorus
Danced by Fred Astaire and Cyd Charisse

The Egg, Music by Arthur Schwartz
In the score when the show lays an egg

Something to Remember You By (1930) Music by Arthur Schwartz / Lyrics by Howard Dietz
Performed by chorus

High and Low (1931) Music by Arthur Schwartz / Lyrics by Howard Dietz
Performed by chorus

I Love Louisa (1931) Music by Arthur Schwartz / Lyrics by Howard Dietz
In the score during the opening credits
Performed by Fred Astaire, Oscar Levant, Nanette Fabray and chorus

Sweet Music (1931) Music by Arthur Schwartz
Instrumental

New Sun in the Sky (1931) Music by Arthur Schwartz / Lyrics by Howard Dietz
Performed by Cyd Charisse (dubbed by India Adams)

I Guess I'll Have to Change My Plan (1929) Music by Arthur Schwartz / Lyrics by Howard Dietz
Performed by Fred Astaire and Jack Buchanan

Louisiana Hayride (1932) Music by Arthur Schwartz / Lyrics by Howard Dietz
Performed by Nanette Fabray and chorus

Triplets (1937) Music by Arthur Schwartz / Lyrics by Howard Dietz
Performed by Fred Astaire, Nanette Fabray and Jack Buchanan

The Girl Hunt (1953) Music by Arthur Schwartz
Danced by Corps de Ballet
Danced by Fred Astaire and Cyd Charisse

For He's a Jolly Good Fellow (Traditional)
Sung by the cast

Smoking Reefers, Music by Arthur Schwartz / Lyrics by Howard Dietz
An instrumental version of this song plays while Cyd Charisse makes her entrance as the bad girl in "The Girl Hunt Ballet" ("She came at me in sections.")

Synopsis: So-so comedy. An agent has his only client pose as both a French chanteuse and Brazilian bombshell to fool a nightclub owner.

Content Warnings: No reviews for content warnings on imdb nor https://www.doesthedogdie.com/media/248031

Music:
We've Come to the Copa, Written by Sam Coslow
Performed by The Copa Girls

Tico Tico No Fubá, Written by Zequinha de Abreu & Aloysio de Oliveira
Performed by Carmen Miranda

Je Vous Aime, Written by Sam Coslow
Performed by Carmen Miranda and by Andy Russell

My Heart Was Doing a Bolero, Written by Sam Coslow
Performed by Andy Russell

He Hasn't Got a Thing to Sell, Written by Sam Coslow
Performed by Carmen Miranda and Andy Russell

To Make a Hit with Fifi, Written by Sam Coslow
Performed by Carmen Miranda

Stranger Things Have Happened, Written by Sam Coslow
Performed by Gloria Jean and by Andy Russell

Go West, Young Man, Written by Bert Kalmar & Harry Ruby
Performed by Groucho Marx and The Copa Girls

Let's Do the Copacabana, Written by Edward Ward & Sam Coslow
Sung by Carmen Miranda, Kay Marvis, and The De Castro Sisters
Danced by The Copa Girls; Raul Reyes with Eva Reyes; and Groucho Marx with Kay Marvis and Carmen Miranda

"I make movies that make no sense and make no money." -- Seijun Suzuki

Synopsis: This one makes no sense, but it keeps the audience attention by making one wonder what the film crew has in store on such a small budget. It is part stage play, part story, and a musical. Amechiyo (The banished prince) falls in love with Tanukihime (a princess of raccoon dog disguised to human).

Content Warnings (PG) - not listed on 'dogdies' and only one review from imdb:
A nude woman is seen in a large painting several times.
A boy's penis (exposed as he is about to pee) is seen.
A Boy's butt is seen.

Synopsis: Post-code Mae West is kept from her more risque bits, but still manages to shine with help from Duke Ellington and his Orchestra. Ruby Carter, a nightclub star, moves from St. Louis to New Orleans to escape Tiger Kid. At Ace Lamont's club, she gains fame but faces drama with Ace's ex Molly. A jewel theft and fixed fight lead to confrontations.

Content Warnings: U.K. 2005 re-rating as PG
no content reviews on imcb nor https://www.doesthedogdie.com/media/260678

Music:
Memphis Blues, Written by W.C. Handy
Performed by Mae West and the Duke Ellington Orchestra

My Old Flame, Music by Arthur Johnston / Lyrics by Sam Coslow
Performed by Mae West and the Duke Ellington Orchestra

Troubled Waters, Music by Arthur Johnston / Lyrics by Sam Coslow
Performed by Mae West and the Duke Ellington Orchestra

When a St. Louis Woman Goes Down to New Orleans, Music by Arthur Johnston / Lyrics by Sam Coslow
Performed by Mae West

My American Beauty, Music by Arthur Johnston / Lyrics by Sam Coslow

St. Louis Blues, Written by W.C. Handy

Content Warnings: no warnings on imdb nor https://www.doesthedogdie.com/media/194704

Music:
Faithful Forever (1939) Music by [Ralph Rainger] and [Leo Robin]
Played in the score during Josh's engagement party

Captain Custard (1940) Lyrics by Johnny Burke / Music by Victor Schertzinger
Performed by Bob Hope (uncredited) and Bing Crosby (uncredited)

The Moon and the Willow Tree (1940) Lyrics by Johnny Burke / Music by Victor Schertzinger
Performed by Dorothy Lamour (uncredited)

Sweet Potato Piper (1940) Lyrics by Johnny Burke / Music by James V. Monaco
Performed by Bing Crosby (uncredited), Dorothy Lamour (uncredited) and Bob Hope (uncredited)

Carry Me Back to Old Virginny, Written by James Alan Bland (as James A. Bland)
Performed by Jerry Colonna

Too Romantic (1940) Lyrics by Johnny Burke / Music by James V. Monaco
Performed by Bing Crosby (uncredited) and Dorothy Lamour (uncredited)

Kaigoon (1940) Lyrics by Johnny Burke / Music by James V. Monaco
Performed by chorus

Synopsis: In Buenos Aires, a man who has decreed that his daughters must marry in order of age allows an American dancer to perform at his club under the condition that he play suitor to his second-oldest daughter.

Content Warnings:
Sex & Nudity: None
Violence & Gore: None
Profanity: None
Alcohol, Drugs & Smoking: Mild
Frightening & Intense Scenes: None
nothing listed on https://www.doesthedogdie.com/media/32202

Synopsis: A true story of politics and art in the 1930s U.S., focusing on a leftist musical drama and attempts to stop its production.

Content Warnings: Motion Picture Rating (MPA) Rated R for some language and sexuality
Sex & Nudity: Moderate
Violence & Gore: Mild
Profanity: Moderate
Alcohol, Drugs & Smoking: Moderate
Frightening & Intense Scenes: None
listed but not rated : https://www.doesthedogdie.com/media/243024

from IMDB:
This film is based on actual events, though it takes liberties with the details. Marc Blitzstein's 1937 anti-capitalist operetta 'The Cradle Will Rock', about the effort to unionize steelworkers, was originally produced as part of the Federal Theatre Project. The Federal Theatre Project (1935-1939), in turn, was part of the Works Progress Administration (WPA), which was created in 1935 by President Franklin D. Roosevelt to employ people during the Great Depression. Directed by Orson Welles and produced by John Houseman, Cradle was shut down right before it was due to open because of "budget cuts" at the FTP. Everyone involved believed the government deliberately cut funding because the play's message offended its more conservative contingent; Actor's Equity prohibited its members from taking part, apparently oblivious to the fact that Cradle was a pro-union piece and Actor's Equity was - and is - a union. Welles, Housman and Blitzstein spontaneously rented another theater and planned to put on Cradle with Blitzstein himself singing/reading the piece; the show sold out and various actors defied Equity and performed their parts from the seats they'd bought. The secondary plot which involved Mexican painter Diego Rivera butting heads with Nelson Rockefeller when the mural the latter commissioned for a Rockefeller Center lobby on the high-minded subject of "human intelligence in control of the forces of nature" included a portrait of Lenin, is also based on fact, though it happened in 1933. The incident is also dramatized in the 2002 film Frida (2002). Tim Robbins included it because it tied into the theme of artistic integrity vs. economic practicality.

The scene in which an HUAC investigator inadvertently reveals his ignorance of Christopher Marlowe is based on fact. However, the film rather churlishly denies Orson Welles any involvement in this catastrophic mistake, which made the Un-American Activities committee look very foolish. In fact, the gaffe came about because of a deliberate Wellesian prank. Welles knew quite well that the committee was illegally tapping his telephone and deliberately arranged a series of carefully-scripted telephone conversations to give the impression that Marlowe, who died in 1593, was a modern-day communist agitator. He felt sure that no-one at the HUAC would know any better - and they didn't.

Regarding the original material, from: https://en.wikipedia.org/wiki/The_Cradle_Will_Rock :
The Cradle Will Rock had its genesis in composer Marc Blitzstein's Sketch No. 1, a short work that garnered positive comment in the Daily Worker after it was performed at The New School in February 1936.  "It had to do with a Moll, a Gent, a Dick; the plot concerned a little proposition and a little chicanery", Blitzstein later recalled. Bertolt Brecht had heard the sketch at Blitzstein's apartment in late 1935, and suggested that he expand its theme from literal to figurative prostitution. Blitzstein remembered him as saying, "There is prostitution for gain in so many walks of life: the artist, the preacher, the doctor, the lawyer, the newspaper editor. Why don't you put them against this scene of literal selling." Blitzstein took up the idea and ultimately dedicated The Cradle Will Rock to Brecht.

"I wrote both the words and the music of The Cradle Will Rock at white heat during five weeks in 1936," Blitzstein said, "as a kind of rebound from my wife's death in May." The drafted short score was completed September 2, 1936

See also https://en.wikipedia.org/wiki/Marc_Blitzstein

Music:
Let's Do Something, Written by Marc Blitzstein
Performed by Erin Hill and Daniel Jenkins (as Dan Jenkins)

The Cradle Will Rock, Written by Marc Blitzstein
Performed by Henry Stram, Timothy Jerome (as Tim Jerome), Victoria Clark (as Vicki Clark), Erin Hill, Daniel Jenkins (as Dan Jenkins) and Chris McKinney

Honolulu, Written by Marc Blitzstein
Performed by Timothy Jerome (as Tim Jerome), Victoria Clark (as Vicki Clark), Erin Hill, Daniel Jenkins (as Dan Jenkins)

Moll's Song, Written by Marc Blitzstein
Performed by Emily Watson

Oh What a Filthy Night Court, Written by Marc Blitzstein
Performed by Henry Stram, Erin Hill, Daniel Jenkins (as Dan Jenkins),
Timothy Jerome (as Tim Jerome), Victoria Clark (as Vicki Clark) and Chris McKinney

Croon Spoon, Written by Marc Blitzstein
Performed by Eddie Vedder and Susan Sarandon

Art for Art's Sake, Written by Marc Blitzstein
Performed by Henry Stram, Erin Hill, Daniel Jenkins (as Dan Jenkins),
Timothy Jerome (as Tim Jerome), Victoria Clark (as Vicki Clark) and Chris McKinney

The Clouds Will Soon Roll By, Written by Harry M. Woods (as Harry Woods) and Billy Hill
Performed by Elsie Carlisle (as Charles Carlisle)

Don Giovanni, Composed by Wolfgang Amadeus Mozart

Romance, Composed by Wolfgang Amadeus Mozart

Gotta Go To Work, Written by Milton Pascal, Edgar Fairchild
Performed by The California Ramblers

What A Little Moonlight Can Do, Written by Harry M. Woods
Performed by Billie Holiday

Giovinezza, Written by S. Gotta, G. Blanc

Cobbler In Despair, Written by Tim Robbins, David Robbins

L'Internationale, Written by Pierre Degeyter, Eugène Pottier

Nickel under the foot, Written by Marc Blitzstein
Performed by PJ Harvey (as Polly Jean Harvey) with Bob Ellis

Content Warnings:
Sex & Nudity: None
Violence & Gore: None
Profanity: None
Alcohol, Drugs & Smoking: Mild
Frightening & Intense Scenes: None
from: https://www.doesthedogdie.com/media/151452
babies

Music:

Train and the River, Music by Jimmy Giuffre
Performed by Jimmy Giuffre

Blue Monk, Music by Thelonious Monk
Performed by Thelonious Monk

Loose Walk, Music by Sonny Stitt & Johnny Richards
Performed by Sonny Stitt

Blue Sands, Music by Buddy Collette
Performed by Chico Hamilton

Sweet Georgia Brown, Music by Ben Bernie and Maceo Pinkard / Lyrics by Kenneth Casey
Performed by Anita O'Day

Tea for Two, Music by Vincent Youmans / Lyrics by Irving Caesar
Performed by Anita O'Day

Rondo, Music by Carlos Federico
Performed by George Shearing

All of Me, Music and Lyrics by Gerald Marks & Seymour Simons
Performed by Dinah Washington

Catch as Catch Can, Music by Gerry Mulligan
Performed by Gerry Mulligan

I Ain't Mad at You
Performed by Big Maybelle

Sweet Little Sixteen, Music and Lyrics by Chuck Berry
Performed by Chuck Berry

Up a Lazy River, Music by Sidney Arodin / Lyrics by Hoagy Carmichael
Performed by Louis Armstrong

Tiger Rag, Music by Edwin B. Edwards, Henry Ragas, Larry Shields, Nick LaRocca / Lyrics by Harry DeCosta
Performed by Louis Armstrong

Rockin' Chair, Music and Lyrics by Hoagy Carmichael
Performed by Louis Armstrong

When The Saints Go Marching In, Traditional
Performed by Louis Armstrong

Walk All Over God's Heaven, Traditional
Performed by Mahalia Jackson

Didn't It Rain, Traditional
Performed by Mahalia Jackson

The Lord's Prayer, Music by Albert Hay Malotte
Performed by Mahalia Jackson

Synopsis: War propaganda, but mostly an excuse to showcase singers. Soldier Danny Miller returns home to Brooklyn after war. Aiming for singing success, he helps friends chasing dreams.

Content Warnings:

Sex & Nudity: None
Violence & Gore: None
Profanity: None
Alcohol, Drugs & Smoking: Mild
Frightening & Intense Scenes: None

listed but not reviewed on 'dogdies' : https://www.doesthedogdie.com/media/239838

Conet Warnings: nothing listed on 'dogdies': https://www.doesthedogdie.com/media/242115
Sex & Nudity: Mild
Violence & Gore: Mild
Profanity: Severe (I'd say moderate)
Alcohol, Drugs & Smoking: Mild
Frightening & Intense Scenes: None

Music:

King of Rock, Written by Larry Smith (as L. Smith), Joseph Simmons (as J. Simmons), Darryl McDaniels (as D. McDaniels)
Performed by Run-D.M.C. (as Run-DMC)

Don't You Dog Me, Written by Mark Morales (as M. Morales), Darren Robinson (as D. Robinson) and Damon Wimbley (as D. Wimbley)
Performed by The Fat Boys

A Love Bizarre, Written and Arranged by Sheila E. and Prince
Performed by Sheila E.

Pick Up the Pace, Written by UTFO and Full Force
Performed by UTFO

If I Ruled The World, Music by Kurtis Blow and David Reeves, Lyrics by Kurtis Blow and AJ Scratch
Performed by Kurtis Blow

Holly Rock
Performed and Written by Sheila E.

It's Like That, Written by Written by Larry Smith (as L. Smith), Joseph Simmons (as J. Simmons), Darryl McDaniels (as D. McDaniels)
Performed by Run-D.M.C. (as Run-DMC)

Feel the Spin, Produced by: Jellybean Benítez, Written by Debbie Harry (as D. Harry), Jellybean Benítez (as Jellybean) and Toni C.
Performed by Debbie Harry

I Can't Live Without My Radio, Written by LL Cool J (as James Todd Smith) and Rick Rubin
Performed by LL Cool J

Please Don't Go, Written by Andy Panda Tripoli
Performed by Nayobe

My Secret, Written by Bobby Hart and Dick Eastman
Performed by New Edition

She's on It, Written by Adam Horovitz and Rick Rubin
Performed by The Beastie Boys

Pump It Up - Let's Get Funky, Music by Kurtis Blow and David Reeves, Lyrics by Mark Morales (as M. Morales), Darren Robinson (as D. Robinson) and Damon Wimbley (as D. Wimbley)
Performed by The Fat Boys

All You Can Eat, Music by Kurtis Blow, Lyrics by Mark Morales (as M. Morales), Darren Robinson (as D. Robinson) and Damon Wimbley (as D. Wimbley)
Performed by The Fat Boys

I Want You To Be My Girl, Written by Morris Levy and Richard Barrett
Performed by Chad

Fat Boys, Music by Kurtis Blow, Lyrics by Mark Morales (as M. Morales), Darren Robinson (as D. Robinson) and Damon Wimbley (as D. Wimbley)
Courtesy of Sutra Records
Performed by The Fat Boys

Can You Rock It Like This, Written by LL Cool J (as J.T. Smith), Rick Rubin (as R. Rubin), Larry Smith (as L. Smith)
Performed by Run-D.M.C. (as Run-DMC)

Tender Love, Written by Jimmy Jam (as James Harris III) and Terry Lewis
Performed by Force M.D.'s

Love Triangle, Written by Lonnie Simmons
Performed by The Gap Band

You're Blind, Written by Larry Smith (as L. Smith), T. Rome, Russell Simmons (as R. Simmons), Darryl McDaniels (as D. McDaniels)
Performed by Run-D.M.C. (as Run-DMC)

Kold Krush, Written by Geo
Performed by Autumn

Krush Groovin', Written by Russell Simmons (as R. Simmons), Kurtis Blow (as K. Blow), Rick Rubin (as R. Rubin),
Joseph Simmons (as J. Simmons), Darryl McDaniels (as D. McDaniels), Mark Morales (as M. Morales), Darren Robinson (as D. Robinson) and Damon Wimbley (as D. Wimbley)

Can't Stop the Street, Written by Dan Hartman and Charlie Midnight
Performed by Chaka Khan

Synopsis: A soldier falls for a chorus girl and then experiences trouble when he is posted to the Pacific, and featuring Busby Berkeley's signature choreography.

Content Warnings: United Kingdom rated: U
No reviews on https://www.doesthedogdie.com/media/77369

Music:
Hail! Hail! The Gang's All Here!, Music by Theodore Morse and Arthur Sullivan / Lyrics by Dolly Morse (as D.A. Esrom)
Sung by a chorus during the opening credits

Brazil (Aquarela Do Brasil), Music by Ary Barroso / English lyrics by Bob Russell
Sung by Aloysio de Oliveira, Carmen Miranda and chorus

You Discover You're in New York, Music by Harry Warren /Lyrics by Leo Robin
Performed by Carmen Miranda, Alice Faye, Phil Baker and chorus

Minnie's in the Money, Music by Harry Warren / Lyrics by Leo Robin, Arranged by Eddie Sauter
Sung by Benny Goodman with his band and a jitterbug chorus

Soft Winds, Written by Benny Goodman (instrumental)
Played by Benny Goodman and His Orchestra
Danced by Alice Faye and James Ellison

The Lady in the Tutti Frutti Hat, Music by Harry Warren / Lyrics by Leo Robin
Performed by Carmen Miranda and chorus

A Journey to a Star, Music by Harry Warren / Lyrics by Leo Robin
Sung by Alice Faye (and reprised by cast)
Danced by Tony De Marco and Sheila Ryan

The Jitters, Music by Gene Rose
Played by Benny Goodman and His Orchestra
Danced by Charlotte Greenwood and Charles Saggau

No Love, No Nothin', Music by Harry Warren / Lyrics by Leo Robin, Arranged by Benny Carter
Sung by Alice Faye
Danced by Tony De Marco and Sheila Ryan

(I've Got a Gal in) Kalamazoo, Music by Harry Warren / Lyrics by Mack Gordon
Played by Benny Goodman and his band

Paducah, Music by Harry Warren / Lyrics by Leo Robin
Played by Benny Goodman and His Orchestra
Sung by Benny Goodman and Carmen Miranda
Danced by Carmen Miranda and Tony De Marco

The Polka Dot Polka, Music by Harry Warren / Lyrics by Leo Robin
Sung by Alice Faye with dancers

The Polka Dot Ballet, Music by Harry Warren
Performed by Busby Berkeley dancers

A Hot Time in the Old Town, Music by Theodore A. Metz
Played as the car pulls up after the "Brazil" number

Silent Señorita, Music by Harry Warren / Lyrics by Leo Robin
Sung by the chorus toward the end of the "Lady in the Tutti Frutti Hat" number

'Valse des rayons' from 'Le Papillon' aka "Valse chaloupée", Music by Jacques Offenbach
The "Apache Dance" referred to and sung by Charlotte Greenwood and Phil Baker

P'ra Que Discutir, Written by Nestor Amaral

Diga o Ella, Written by Nestor Amaral

Let's Dance, Written by Gregory Stone, Josef Bonime and Fanny Baldridge

The Flower Song, Music by Gustav Lange

Carnival, Written by Russell and Warren
Played behind dancing in the "Lady in the Tutti Frutti Hat" sequence.

Synopsis: The ONLY reason to see this is for James Brown. He lip-synch at low-energy and seems to hate being involved in the movie. In this musical, college classmates Todd Armstrong (Frankie Avalon) and Craig Gamble (Dwayne Hickman) head out on a group ski vacation, and agree that if they're going to get girlfriends, they need to understand how women think.

No listed content warnings via IMDB nor 'dog dies': https://www.doesthedogdie.com/media/31276

From memory: sexism, 'man in dress'-type joking (premise), possibly natural bodies of water... certainly if you count snow/ice.

Songs:
Ski Party, Written by Gary Usher and Roger Christian
Performed by The Hondells (uncredited)
[Played over second half of opening credits, with the reprise played on the beach leading into the end credits]

The Gasser, Written by Gary Usher and Roger Christian
Performed by The Hondells (uncredited)
[Played over opening title card and first half of opening credits]

We'll Never Change Them, Written by Guy Hemric and Jerry Styner
Performed by Deborah Walley (uncredited)
[Sung in the girls' bedroom at the lodge]

Paintin' the Town, Written by Bob Gaudio
Performed by Frankie Avalon (uncredited), Deborah Walley (uncredited), Dwayne Hickman (uncredited) and Yvonne Craig (uncredited)
[Sung during the sleigh ride]

Sunshine, Lollipops and Rainbows, Music by Marvin Hamlisch / Lyrics by Howard Liebling
Performed by Lesley Gore (uncredited)
[Sung on the bus on the way to the ski lodge]

Lots Lots More, Written by Richie Adams (as Ritchie Adams) and Larry Kusik
Performed by Frankie Avalon (uncredited)
[Sung around the pool at the lodge]

I Got You (I Feel Good), Music and Lyrics by James Brown (as Ted Wright)
Performed by James Brown (uncredited) and The Famous Flames (uncredited)
[Sung at the lodge by the "ski patrol"]

An over-the-top comedy in the style of the "swinging sixties" that satirizes the sex and potency cult of the meritocratic society. Woody Allen's first screen appearance in a film based on his own screenplay. The following year, he realized the curious follow-up project "What's Up, Tiger Lily."

Original title: Hi De Ho (1947)

This film is available with subtitles in many language options.
Director: Josh Binney
Writer: Hal Seeger
Stars: Cab Calloway, Ida James, Jeni Le Gon

Synopsis: An overly long musical about love between a young nurse and a secretive Frenchman who's being courted for a dangerous military mission on a South Pacific island during World War II. Won an Oscar for best Sound (not best Music). Noteable songs include, Bali Ha'i, Some Enchanted Evening, and Happy Talk.

Content Warnings:

Sex & Nudity: None
Violence & Gore: None
Profanity: None
Alcohol, Drugs & Smoking: Mild
Frightening & Intense Scenes: None

flashing lights or images
dead animal (opening has dead pig carried for roasting)
loud noises
gun violence (war)
"Man in a dress" jokes
minority is misrepresented
shower scene
natural bodies of water

Music: all Music by Richard Rodgers and Lyrics by Oscar Hammerstein II

South Pacific Overture (1949)
Performed by the 20th Century-Fox Studio Orchestra Conducted by Alfred Newman

Dites-Moi(1949)
Performed by Giorgio Tozzi, Marie Greene, and Betty Wand

A Cockeyed Optimist (1949)
Performed by Mitzi Gaynor

Twin Soliloquies (1949)
Performed by Giorgio Tozzi and Mitzi Gaynor

Some Enchanted Evening (1949)
Performed by Giorgio Tozzi

Bloody Mary (1949)
Performed by The Ken Darby Singers

My Girl Back Home (1949)
Performed by Mitzi Gaynor and Bill Lee

There Is Nothin' Like A Dame (1949)
Performed by Ray Walston, Thurl Ravenscroft and The Ken Darby Singers

Bali Ha'i (1949)
Performed by Muriel Smith

I'm Gonna Wash That Man Right Outa My Hair (1949)
Performed by Mitzi Gaynor and The Ken Darby Singers

Some Enchanted Evening (Reprise) (1949)
Performed by Giorgio Tozzi and Mitzi Gaynor

A Wonderful Guy (1949)
Performed by Mitzi Gaynor and The Ken Darby Singers

Younger Than Springtime/Bali Ha'i (Reprise) (1949)
Performed by Bill Lee and The Ken Darby Singers

Some Enchanted Evening (Finale Act I) (1949)
Performed by Giorgio Tozzi

Happy Talk (1949)
Performed by Muriel Smith

Honey Bun (1949)
Performed by Mitzi Gaynor, Ray Walston and The Ken Darby Singers

You've Got to Be Carefully Taught (1949)
Sung by Bill Lee

This Nearly Was Mine (1949)
Performed by Giorgio Tozzi

Finale Ultimo (1949)
Performed by Giorgio Tozzi, Mitzi Gaynor, Marie Greene, and Betty Wand

End Title (1949)
Performed by the 20th Century-Fox Studio Orchestra Conducted by Alfred Newman

Synopsis: A troubled young woman who visits a psychotherapist to help her quit smoking undergoes hypnosis and finds herself reliving a tragic Victorian romance from a past life.

Content Warnings:

Sex & Nudity: Mild
Violence & Gore: None
Profanity: None
Alcohol, Drugs & Smoking: Moderate
Frightening & Intense Scenes: None

no 'dogdies' reviews. from emmory:

• smoking

Music: all songs with Lyrics by Alan Jay Lerner and Music by Burton Lane

• Hurry! It's Lovely Up Here!
• On a Clear Day You Can See Forever
• Love With All the Trimmings
• Melinda
• Go To Sleep
• He Wasn't You
• What Did I Have That I Don't Have?
• Come Back to Me